Martin Scorsese
Filmmaker.
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A World Without Turner Classic Movies
If TCM doesn’t last under David Zaslav, we lose much more than just a television channel.
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Let’s Talk About Travis Bickle’s Bread and Brandy Cereal
A way to a young man’s self-destructive rage is through his stomach.
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With ‘Killers of the Flower Moon’, Martin Scorsese Innovates to Extraordinarily Moving Effect (Cannes Review)
From Cannes, Farah Cheded reviews Martin Scorsese’s latest.
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From Bava to Bresson: The Films That Inspired ‘Taxi Driver’
Femme Fatales, post-war disorientation, and voice-over? Huh. Maybe ‘Taxi Driver’ is a noir film.
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The Story of How Scorsese’s First Movie Saw The Light of Day
Turns out it takes a village to make a Martin Scorsese debut feature. Or at least one Haig Manoogian.
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From Sinful to Sacred: Religious Themes in the Films of Martin Scorsese
The son, the father, and the holy GOAT.
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‘After Hours’ in the Afterlife: The Case for Paul Hackett’s Hell
In Martin Scorsese’s 1985 black comedy, a man’s desperate quest to get home after a night gone wrong is actually his eternal damnation.
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Martin Scorsese Just Wants to Hang Out with His Friends
His recent work is full of small moments that remind us to keep our friends close and to hang out with them whenever possible.
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Where Does “Cinema” Happen in the Age of Streaming?
The pandemic has intensified concerns that streaming poses a threat to the cinematic experience. Here’s a video essay explaining why.
