Acting is an art form, and behind every iconic character is an artist expressing themselves. The Great Performances is a recurring column in which Jacob Trussell explores the art behind some of cinema’s best roles.
If you are new to reading this column, we suggest starting with these entries:
From Bela to Langella, we’re examining how actors have breathed life into Bram Stoker’s legendary Prince of Darkness.
Career character actor Lin Shaye was finally given a chance to shine as demon slayer Elise in James Wan and Leigh Whannel’s hit horror franchise.
We’re examining a couple key moments that show the expansive range of Tim Robinson’s chaotic (and surprisingly moving) brand of comedy.
We’re Richmond till we die! We know we are, we’re sure we are, we’re Richmond till we die!
Leslie Harris’ debut film, featuring a knock-out performance by Ariyan A. Johnson, hasn’t lost a hint of its revolutionary spirit since it was first released in 1993.
As Beverly Sutphin, Turner surfaces the seedier side of the picture-perfect suburban housewife in John Waters’ cult classic.
The actors may have been a little inebriated while filming the most infamous disasterpiece of 1993, but their off-screen bonding only helped make their on-screen relationship feel real.
He was the floppy-haired heartthrob of the 90s, but by 2018, Grant found ways to poke fun at the very fabric of actorly charm as Phoenix Buchanan.
Why can’t we tear our eyes away from the emotionally devastating interplay between Brendan Gleeson and Colin Farrell across Martin McDonagh’s films?