Every great car chase is a combination of several filmmaking elements. In honor of ‘Baby Driver,’ we explore.
‘Let’s All Go to the Lobby’ has been playing before features in theaters since 1957, but it does more than entice audiences to buy popcorn.
Ensemble comedies like ‘Rough Night’ tend to gain poor reviews, so why do studios continue to make them?
Since its release in 1957, A Face in the Crowd is more powerful in retrospect than Elia Kazan could have predicted.