Be they sinister, or joyous, a dolly-in is a powerful tool.
John Garfield stars in this precursor to film noir, a tragic representation of the happy ending he never got to have.
Find out why this movie’s music is so unique within film noir.
With this prototypical film noir, Fritz Lang crafts a universe in which telling the difference between good and evil is no easy feat.
What’s black and white and full of subgenres?
Gene Hackman’s Harry Moseby is a character navigating the neo-noir landscape as a different kind of man.
John Boulting’s sinister adaptation examines the religious undertones of the film noir genre.
Although a departure from typical film noir narratives, its exploration of taboo is perfectly in line with the genre’s goals.
Edgar G. Ulmer’s 1945 film noir is just the kind of gritty, loathsome confection you should crave during Noirvember.