TV
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Subtitles Are On the Rise (And Digital Technology is to Blame)
“Sorry, I can’t hear anything without the subtitles on.”
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HBO’s ‘Perry Mason’ Is Back With Another Satisfying Slow-Burn Mystery
In its second season, HBO’s stylish, steadily-paced show Perry Mason returns to take on a case with racism and conspiracy at its core.
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‘Daisy Jones and the Six’ is a Try-Hard Musical Drama That Doesn’t Deliver On Its Own Hype
Riley Keough headlines the new faux-roc doc, which delivers good performances and catchy music, but is also riddled with cliches and self-important framing.
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Why The Hyperspace Whales Matter So Much in ‘The Mandalorian’
‘The Mandalorian’ Chapter 17 asks us to consider the past and the future of the ‘Star Wars’ franchise.
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Apple TV’s Retrofuturistic Show ‘Hello Tomorrow!’ Has Tons of Style But Limited Substance
In the offbeat, retrofuturistic new Apple TV+ series, Billy Crudup plays a salesman trying to get everyday people to buy a piece of the moon.
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Away from the MCU, ‘Moon Girl and Devil Dinosaur’ Roars
We chat with the cast and producers of ‘Moon Girl and Devil Dinosaur’ and find a series that feels unlike anything in the Marvel Cinematic Universe.
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‘Party Down’ is Back and Better Than Ever
Thirteen years after it ended, the cult favorite Starz show Party Down returns at the top of its game.
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‘Star Wars: Visions’ Volume Two Promises A Global Imagination
We examine the nine production houses hired to make Star Wars: Visions volume two a more rich and imaginative anthology series.
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The ‘Lost’ Pilot Episode Just Keeps Getting Better With Age
In the latest Episode column, we revisit the bold, beautiful two-part premiere of Lost.