Where to Watch the 2022 Oscar Nominees

Winners will be announced at the 94th Academy Awards on March 27th.

The nominees for the 94th Academy Awards were announced this morning, and as usual, there were some surprises and some snubs (our Movie of the Year was completely shut out!) But like many of you, we’re just concerned with how they match our own picks for the best movies of 2021. Were any of last year’s best breakout performances recognized? How about our favorite film scores? Could our choice of Filmmaker of the Year become part of history as the second woman in consecutive years to win Best Director? Does any of it really matter when so many great movies are overlooked for Best Picture year after year?

We’ll find out some of those answers when this year’s Academy Awards are held on Sunday, March 27th. For now, here are your 2022 Oscar nominations:

Best Picture
Belfast (on VOD)
CODA  (on Apple TV+)
Don’t Look Up (on Netflix)
Drive My Car (on HBO Max)
Dune (on VOD)
King Richard (on VOD)
Licorice Pizza (in theaters)
Nightmare Alley (on Hulu and HBO Max)
The Power of the Dog (on Netflix)
West Side Story (on HBO Max and Disney+)

Best Director
Kenneth Branagh, Belfast (on VOD)
Ryusuke Hamaguchi, Drive My Car (on HBO Max)
Paul Thomas Anderson, Licorice Pizza (on VOD)
Jane Campion, The Power of the Dog (on Netflix)
Steven Spielberg, West Side Story (on HBO Max and Disney+)

Best Actress in a Leading Role
Jessica Chastain, The Eyes of Tammy Faye (on HBO Max)
Olivia Colman, The Lost Daughter (on Netflix)
Penelope Cruz, Parallel Mothers (on VOD)
Nicole Kidman, Being the Ricardos (on Amazon Prime Video)
Kristen Stewart, Spencer (on Hulu)

Best Actor in a Leading Role
Javier Bardem, Being the Ricardos (on Amazon Prime Video)
Benedict Cumberbatch, The Power of the Dog (on Netflix)
Andrew Garfield, Tick, Tick… Boom! (on Netflix)
Will Smith, King Richard (on VOD)
Denzel Washington, The Tragedy of Macbeth (on Apple TV+)

Best Actress in a Supporting Role
Jessie Buckley, The Lost Daughter (on Netflix)
Ariana DeBose, West Side Story (on HBO Max and Disney+)
Judi Dench, Belfast (on VOD)
Kirsten Dunst, The Power of the Dog (on Netflix)
Aunjanue Ellis, King Richard (on VOD)

Best Actor in a Supporting Role
Ciarán Hinds, Belfast (on VOD)
Troy Kotsur, CODA (on Apple TV+)
Jesse Plemons, The Power of the Dog (on Netflix)
J.K. Simmons, Being the Ricardos (on Amazon Prime Video)
Kodi Smit-McPhee, The Power of the Dog (on Netflix)

Best Original Screenplay
Belfast (on VOD)
Don’t Look Up (on Netflix)
King Richard (on VOD)
Licorice Pizza (on VOD)
The Worst Person in the World (in theaters)

Best Adapted Screenplay
CODA (on Apple TV+)
Drive My Car (on HBO Max)
Dune (on VOD)
The Lost Daughter (on Netflix)
The Power of the Dog (on Netflix)

Best Cinematography
Dune (on VOD)
Nightmare Alley (on Hulu and HBO Max)
The Power of the Dog (on Netflix)
The Tragedy of Macbeth (on Apple TV+)
West Side Story (on HBO Max and Disney+)

Best Film Editing
Don’t Look Up (on Netflix)
Dune (on VOD)
King Richard (on VOD)
The Power of the Dog (on Netflix)
Tick, Tick… Boom! (on Netflix)

Best Animated Feature Film
Encanto (on Disney+)
Flee (on Hulu)
Luca (on Disney+)
The Mitchells vs. The Machine (on Netflix)
Raya and the Last Dragon (on Disney+)

Best Animated Short Film
Affairs of the Art (in the New Yorker screening room)
Bestia (on Vimeo On Demand)
Boxballet (TBD)
Robin Robin (on Netflix)
The Windshield Wiper (on Short of the Week)

Best Live-Action Short Film
Ala Kachuu — Take and Run (tbd)
The Dress (on Short of the Week)
The Long Goodbye (on Short of the Week)
On My Mind (TBD)
Please Hold (TBD)

Best International Feature Film
Drive My Car (on HBO Max)
Flee (on Hulu)
The Hand of God (on Netflix)
Lunana: A Yak in the Classroom (on VOD)
The Worst Person in the World (in theaters)

Best Documentary Feature
Ascension (on Paramount+)
Attica (on Amazon Prime Video and Showtime)
Flee (on Hulu)
Summer of Soul (…Or, When the Revolution Could Not Be Televised) (on Hulu and Disney+)
Writing with Fire (on VOD — TBD)

Best Documentary Short Subject
Audible (on Netflix)
Lead Me Home (on Netflix)
The Queen of Basketball (on Short of the Week)
Three Songs for Benazir (on Netflix)
When We Were Bullies (on HBO Max on March 30th)

Best Original Score
Don’t Look Up (on Netflix)
Dune (on VOD)
Encanto (on Disney+)
Parallel Mothers (on VOD)
The Power of the Dog (on Netflix)

Best Original Song
“Be Alive” from King Richard; Music and Lyric by DIXSON and Beyoncé Knowles-Carter (listen here)
“Dos Oruguitas” from Encanto; Music and Lyric by Lin-Manuel Miranda (listen here)
“Down to Joy” from Belfast; Music and Lyric by Van Morrison (listen here)
“No Time to Die” from No Time to Die; Music and Lyric by Billie Eilish and Finneas O’Connell (listen here)
“Somehow You Do” from Four Good Days; Music and Lyric by Diane Warren (listen here)

Best Sound
Belfast (on VOD)
Dune (on VOD)
No Time to Die (on VOD)
The Power of the Dog (on Netflix)
West Side Story (on HBO Max and Disney+)

Best Costume Design
Cruella (on Disney+)
Cyrano (in theaters)
Dune (on VOD)
Nightmare Alley (on Hulu and HBO Max)
West Side Story (on HBO Max and Disney+)

Best Makeup and Hairstyling
Coming 2 America (on Amazon Prime Video)
Cruella (on Disney+)
Dune (on VOD)
The Eyes of Tammy Faye (on HBO Max)
House of Gucci (on VOD)

Best Production Design
Dune (on VOD)
Nightmare Alley (on Hulu and HBO Max)
The Power of the Dog (on Netflix)
The Tragedy of Macbeth (on Apple TV+)
West Side Story (on HBO Max and Disney+)

Best Visual Effects
Dune (on VOD)
Free Guy (on HBO Max and Disney+)
No Time to Die (on VOD)
Shang-Chi and the Legend of the Ten Rings (on Disney+)
Spider-Man: No Way Home (in theaters; on VOD starting March 22nd)

 

Tell us what you think of the 2022 Oscar nominees on Twitter @rejectnation.

Christopher Campbell began writing film criticism and covering film festivals for a zine called Read, back when a zine could actually get you Sundance press credentials. He's now a Senior Editor at FSR and the founding editor of our sister site Nonfics. He also regularly contributes to Fandango and Rotten Tomatoes and is the President of the Critics Choice Association's Documentary Branch.