Cinematography
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The Return of 4:3
You know what they say: it’s hip to be square.
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How They Filmed the Café Dolly Shot in ‘Wings’
No, there wasn’t a buzzsaw attached to the camera. But that’s a free idea if anyone wants it…
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The Center-Framed Cinema of Pedro Almodóvar
Arguably one of the most visually identifiable directors working today, here’s a quick celebration of the center frames of Spanish auteur Pedro Almodóvar
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From ‘XXY’ to ‘The Neon Demon’: The Cinematography of Natasha Braier
A bold, uncompromising voice in cinematography: here’s a quick intro to what defines the work of Natasha Braier.
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The Terrifying, Humorous, and Thematic Potential of Off-Screen Space
“There is always an out-of-sight just as there is always an off-screen” – Victor Perkins
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Navigating the Digital Landscape of Michael Mann’s ‘Miami Vice’
The masterful big-screen adaptation has a polarizing and distinct mid-2000s look to it, but that’s all part of what makes it great.
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Chasing Butterflies: Observations on the Visual Style of Terrence Malick
Hope y’all brought your allergy medication because we’re going to be running through some fields.
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Glamor From Above: The Simple Majesty of Dietrich Lighting
Lights, camera, Marlene Dietrich.
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Anamorphic vs. Spherical Camera Lenses: What’s the Difference?
If you’ve ever wanted to know what people mean when fancy film people say “anamorphic” this one’s for you.